With which of the following statements regarding literary criticism would the author of the passage be most likely to答案解析-雷哥GRE

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Writers of the Harlem Renaissance of the 1920s often looked beyond the boundaries of the United States for models and on of the Irish most commonly invoked were writers of the Irish Renaissance. While it would be too much to claim that modern lrish writers had a strong influence on the writers of the Harlem Renaissance, it can be said that the paradigm of one generation of a historically oppressed people rising to literary greatness did serve as an inspiration and occasional guide for African American writers in the 1920s. Moreover,the situation of the Irish writer around the beginning of the twentieth century is remarkably similar to that of the African American writer in the 1920s, a fact suggesting that the two literatures, Anglo-lrish and African American, may profitably be looked at in a comparative framework.

The facts of the history of spoken language would seem to indicate he basis for a distinct, discernible“voice for each group: "Irish English" reflected the language of a nation that had been, until the mid-nineteenth century, half Gaelic-speaking, while“Black English" was a means of cultural preservation for African Americans amid the linguistic practices of non-African American society. Nevertheless,neither group of Renaissance writers was writers was interested primarily in the literal transcription of speech patterns, however distinctive. Even John Synge, the most linguistically imitative of writers, saw his artistic task as a distillation, and not a direct representation, of the“fiery and magnificent" imagination of the Irish. James Weldon Johnson, at the beginning of the Harlem Renaissance, tried to chart a course for African American literature to steer between the“stereotype" of dialect and what he viewed as the uninteresting and culturally inappropriate use of conventional English.

With regard to the cultural heritage from which they approached the reality present, lrish and African American writers faced the same dilemma, namely, that the dominant culture largely refused to recognize that heritage and its validity. Thus Irish writers began to revive and update the body of Irish heroic legend, specifically the cycle of Red Branch tales. But African American writers in the 1920s did not have such a clearly defined body of heroic legend on which to draw. While there were scores of heroic tales from he period of slavery, these were compromised both by their origin in slavery and their adoption and their adoption and alteration by non-African American writers in works such as Joel Chandler Harris's Uncle Remus tales What many African American writers opted for instead was an emphasis on the land of origin, Africa, as an ancient, filly developed civilization. While lrish writers were nostalgic for a culture from which they were historically separated, African American writers were nostalgic for land from which they were geographically separated.

With which of the following statements regarding literary criticism would the author of the passage be most likely to agree?

Facts about the history of spoken language are central to the analysis of any literary movement. Literary movements that thrive despite the oppression of a dominant culture are likely to draw inspiration from folklore The effort to achieve precise linguistic transcription of speech rarely results in effective prose. The revival of literary works often results in a loss of their cultural validity. A comparative framework can be appropriate even in cases where direct influence between groups of writers is limited.

正确答案： E 耗时：