According to the passage, which of the following was true about public theatrical performances in Renaissance England?答案解析-雷哥GRE

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The theatrical practice in Renaissance England of using boys to play women's roles has traditionally been explained as the product both of European Renaissance social prohibitions against public performances by women and of the establishment of an all-male performance tradition during the Middle Ages by craft guilds and civic groups whose members, all men, staged religious plays.However, considerable evidence shows that craft guilds in medieval England were not exclusively male and that women sometimes performed religious plays: records from Chester, for example, indicate that "wives of the town" performed such a play in the late fifteenth century. Moreover, during the Renaissance,French, Italian, and Spanish women acted in public plays in their own countries and even performed in London, where they were sometimes received favorably despite London audiences' extreme xenophobia.That English women performed on the public stage in the non-acting capacity of singing further complicates any understanding of the English practice of using boys to play women's roles.

According to the passage, which of the following was true about public theatrical performances in Renaissance England?

The only women performers they included were of other than English origin They included some women performing in a capacity other than acting. They increasingly included performances by French, Italian, and Spanish actors. They were heavily influenced by French,Italian, and Spanish performance traditions that developed during the Middle Ages. They were typically staged by the members of craft guilds and civic groups.

正确答案： B 耗时：

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当前版本由 279806eghd 更新于2023-12-11 12:32:01 感谢由 279806eghd 对此题目的解答所做出的贡献。

in the non-acting capacity of singing

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根据文章内容，下列关于文艺复兴时期英格兰公共戏剧演出的说法中正确的是： B. 演出中包含了一些担任非表演角色的女性。文中提到，“英国女性以非演员身份，即歌唱的形式出现在公共舞台上”，这表明尽管女性通常不参与戏剧表演，但她们确实在公共戏剧演出中以歌唱等形式参与了进来。其他选项的解释如下： A选项没有依据；文中并未说明参与演出的女性都是非英国籍。 C选项具有误导性；虽然文中提到法国、意大利和西班牙的女性在伦敦表演，但这并不意味着这些国家女性演员的参与在英格兰演出中是一个日益增长的趋势。 D选项没有直接的文本支持；虽然提到了这些国家女性的表演，但并未说英格兰的演出深受法国、意大利和西班牙中世纪表演传统的重大影响。 E选项部分正确地提到了中世纪的传统，但它没有准确反映文章中描述的文艺复兴时期英格兰的情况，特别是对于女性参与态度的变化及存在的证据。