The passage suggests that which of the following was true of Renaissance theatrical practices in Europe?答案解析-雷哥GRE

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The theatrical practice in Renaissance England of using boys to play women's roles has traditionally been explained as the product both of European Renaissance social prohibitions against public performances by women and of the establishment of an all-male performance tradition during the Middle Ages by craft guilds and civic groups whose members, all men, staged religious plays.However, considerable evidence shows that craft guilds in medieval England were not exclusively male and that women sometimes performed religious plays: records from Chester, for example, indicate that "wives of the town" performed such a play in the late fifteenth century. Moreover, during the Renaissance,French, Italian, and Spanish women acted in public plays in their own countries and even performed in London, where they were sometimes received favorably despite London audiences' extreme xenophobia.That English women performed on the public stage in the non-acting capacity of singing further complicates any understanding of the English practice of using boys to play women's roles.

The passage suggests that which of the following was true of Renaissance theatrical practices in Europe?

Even though women occasionally performed in religious plays,they were unlikely to perform in secular plays. The influence of religious plays on secular theatrical traditions was less pronounced in France, Italy, and Spain than it was in England. The practice of using boys to play women's roles arose primarily from an all-male theatrical tradition developed during the Middle Ages. The practice of using boys to plays women's roles was widespread not only in England but also in other European countries. The practice of using women as performers in public plays was more common in France, Spain, and Italy than it was in England.

正确答案： D 耗时：

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当前版本由 1044986ceie 更新于2024-11-06 16:15:41 感谢由 1044986ceie 对此题目的解答所做出的贡献。

Moreover, during the Renaissance,French, Italian, and Spanish women acted in public plays in their own countries and even performed in London, 说明这种演出在法国；意大利；西班牙；甚至英国伦敦都有演出

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240940qb

A无中生有了。BE比较不对。CD选。。我都选错了。。。。。C我以为是However, considerable evidence shows that craft guilds in medieval England were not exclusively male and that women sometimes performed religious plays: records from Chester, for example, indicate that "wives of the town" performed such a play in the late fifteenth century这推出来的呢

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2024-12-08 20:38:41

246107dlzyd

逆天

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2024-09-20 16:58:10

gre好贱

文章哪里提到了欧洲其他地方也普遍存在男孩扮女角色的情况？反正我选E

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2024-09-13 22:04:46

我勒个豆真难啊

文章哪里提到了欧洲其他地方也普遍存在男孩扮女角色的情况？

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2024-08-05 12:07:56

307463gmq

D. The practice of using boys to play women's roles was widespread not only in England but also in other European countries. 文章暗示了以下哪项关于欧洲文艺复兴时期戏剧实践是真实的？即使文章提到了中世纪时期英格兰的工匠行会并不完全是男性独有，且女性有时也会参与宗教剧的表演，但关键信息点在于：“Moreover, during the Renaissance, French, Italian, and Spanish women acted in public plays in their own countries and even performed in London...” 这表明女性在法国、意大利和西班牙参与公共戏剧演出，但这并不意味着她们在那里比在英格兰更常见（排除E）。同时，这也间接说明了使用男孩扮演女性角色的做法并非仅限于英格兰，因为如果女性可以公开演出，那么这种做法应该是作为替代方案存在，或者是受到更广泛的社会习俗或戏剧传统的影响。另外，文章中没有足够的信息来支持A、B或C选项的陈述。因此，D选项是最符合文章内容的答案。

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2024-06-13 20:10:47

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